Thursday, March 29, 2012

Time for Some Tough Love

Thought I'd kick this entry off with some shots of some of my work since I'm sure many of you are here for the art more than the words and I haven't really started painting for the initiative yet.  This is one my forays into "serious art" I go here reluctantly but I know that not everybody wants jokey art hanging in their living room (God bless 'em if they do though!) and I really want to sell some work from this.  That's like, the definition of selling out, I know but I gots bills to pay yo. Anyway, there's got to be a middle ground where I can be true to myself and still have other people like it enough for their walls.  That's part of what I hoping to find.


My ArtPrize 2011 entry entitled "Famed Portals", parodies of Chagall's "I and the Village" and Matisse's "Dance"
The original is on top, mine is on the bottom. Had a little fun with the face of the leftmost dancer, since her face didn't show in the original I used the visage of another of Matisse's works "The Green Line"
The original is on the left. In my version the subjects of the painting show awareness of the viewer
The works opened away from the wall to reveal what the subjects in the painting see through the portal that is the painting


Got a LOT of my work giving me this look
     I've made declarations about getting into a real art regimen about a million times before.  Some of you closer to me may have heard about my six days/ six genre a week plan as recently as a few months ago.  I have a line of greeting cards that have needed tweaking for about a year now.  I have a comic book I've been in the script phase on for about seven years. (the most recent attempt got halfway through the storyboarding phase)  I have a web cartoon that I recorded dialog for and downgraded it to a newspaper comic of which I have only ever drawn two strips.  The details of these well thought out, but poorly executed plans and projects are unimportant.  The point is that since school I have done less and less artwork every year despite my intentions otherwise.  I'm hoping that this plan will work where the others failed and I think the key is pressure.
     It's not that I haven't finished any projects since graduating art school, but the ones that get done are the pieces that someone was counting on to be completed, either because they were paying or because I had some sort of obligation to complete them like as gifts for people whom I couldn't afford to buy for (or couldn't decide what else to get them) but that expectant pressure is what eventually gets my butt off the couch and a brush in my hand.

       So, for this current endeavor to work, I need anyone who reads this and has even a passing interest in my work to apply pressure to me.  I know it's a bit of an imposition and I'm not asking anyone to call me day and night and nag me about why aren't I painting.  Just leave a comment for me here, send me a facebook message or email.  To my friends and family who have my number, send me a text.  A small encouragement, a comment on what I post, just a casual "How's that painting thing you were gonna do goin'?"
     If I know that if there is even one person in the world that is counting on me to forge ahead with this, someone who I am letting down by not doing what I said I was gonna do here, then it'll be that much harder to treat this as business as usual and go play Skyrim instead.
Probably not the kind of tough love this guy doles out
      If saying nice or caring things isn't your thing then I give you permission to absolutely bust my chops on this, post me up, make me feel like crap if I don't keep it up, I'll deserve it if I fail after being complacent for so long.  I need any kind of help I can get on this and even negative attention is attention.
     The nice thing about having so many projects of different levels of completion is that I will have absolutely no problem coming up with 26 projects to work on. So there's a silver lining if ever I saw one. I don't want to start painting until I have a plan for at least half the works that I am going to complete so I am well under way before I start to get that aimless lost feeling of "whats next?" I'll have to dig through my old and half completed stuff and get back to you with my plan. I know it seems like I am stalling but I just really want to set myself up to win right out of the gate. I'm not starting the clock on the 79 days till I am all set to go.  Next post will include some of the projects I will be taking on.

Tuesday, March 27, 2012

The Rules: Gotta at Least Tie My Pants to Something if I Plan to Fly by the Seat of Them!






      I need to make art.  I need to do this so I can be me.  Not unlike Bruce Willis' character from Unbreakable (Hey, we take inspiration from wherever the universe offers it alright?) I feel sad when I'm not doing what I know I was put here to do. "So why haven't you been doing it then dummy?" you're asking, "Did you lose your hands at a Tazmanian Devil petting zoo or somethin'?" No, I absolutely have the ability to make art, I'll even go as far as to say that when I do, I'm pretty good at it.  It's just so easy now a days to NOT do things.  Wonderful distractions like TV, Movies, the internet and have you ever played Xbox? "Portal" alone would have caused the complete breakdown of modern society if everyone was as easily distracted as I am.  Between the world just getting in the way, having a "real" job and my fear of failure (If you don't put in a real effort, you can't fall on your face right?) I just don't make the time.  I'm not making excuses.  The only thing standing in my way is me.

    I've seen a lot of "Painting a Day" Blogs that have artists forcing themselves to create one painting per day but I have a few problems with this.  One is that while forcing me to generate SOMETHING having only one day will mean that the work isn't that thought out and I'll end up with a whole bunch of half-assed art attempts instead of a collection of my art that I'm proud to show. Secondly, I am looking to try something that, with a few tweaks, could be sustainable.  I think that after a long stretch of putting everything on hold to kick out a painting a day, I would have so much life stuff to catch up on, that it would be a long while before I could get back to painting at all.  

     One nice thing about essentially sitting on my thumbs for 10 years is that I've learned quite a bit about myself and how I need to work.  I need just the right amount of structure to keep this silly fear I have at bay.  I'm not one of these artists who love it when the whole world of possibilities is laid out in front of him.  The bright white of an empty canvas isn't my magic carpet to take me to a wondrous world of endless potential.  For me, it's a stifling end to a hallway and every stroke I add is a door in that hallway that shuts me away from what could have been, where this painting could have gone.  The anxiety of whether the path I'm traveling will take me to my intended destination or to a disappointment I wish I hadn't wasted time on is probably a big reason I have to be in just the right mood to pick up a brush.
    
     So let's look at

 

The PaintMore Initiative Rules

 

26 Canvases, 79 Days


    I've always said I do my best work under pressure so we'll see if thats actually true or if its just the only way I've ever known. See, in the past, I've applied pressure to myself by waiting until the last possible second to start working on a project.  Ask my wife about ArtPrize last year and my 4 day painting marathon before I hung still-wet canvases at the venue (actually, don't ask her about it, it would just put her in a sour mood again) why 26? One piece for every year I've been an artist.  79 days gives me 3 days for each piece and one day to spare.
     

 

The Only Mediums Allowed are Watercolour and Oil Paint


     The skill I've always wanted to improve is painting, so we'll say the only drawing I will be doing is in preparation for paintings. I was a whiz at watercolour in college so I'll make that one of my mediums so I'll have something familiar to fall back on when my confidence is wavering.  My weakness in painting is probably oil so that will be my other medium.  I'm not going to absolutely forbid the use of other mediums in combination with these two.  If I'm gonna get some awesome effects from adding chalk or airbrush acrylic on top of a watercolour, I'm gonna allow it.  That's the fun stuff, finding those killer combinations, but the primary painting needs to be watercolour or oil.

 

 

 

No Paint Brushes Smaller Than 1/4" Wide    


     I get way too meticulous with my painting I've always wanted to have a loose style like my hero Bill Sienkiewicz so I'm gonna pack up my quadruple zero brushes (the ones that are like, a single hair that modelers use to paint eyebrows on their tiny lead figurines?) and I'll limit my brush size to 1/4" wide and larger, that oughta loosen things up a bit.

 

 

 

 

Canvas Sizes, no smaller than: 13x13 for oil 11x11 for watercolour


     Canvas is just the word I'm using to describe the painting surface, they'll actually be Gesso'd Masonite for oil and various densities of watercolour paper.  13x13 is big enough to make some impressive wall art but small enough to not take forever to paint.  I originally had set sizes that I didn't want to deviate from just to give myself less to think about when starting these paintings, but I still want he freedom to make multi-canvas creations and with a set size that could get out of hand quickly.  I just want to make sure these don't get too small like some of the stuff Painting-a-day folks ended up making. 11x11 is just because I already have a bunch of 11x14 watercolour pads laying aroung that I can cut one side off of to make a square piece.  The paintings will probably rarely be these specific sizes(most likely end up a little bigger) but I wanted to affect some control here so I don't get too lazy and paint a bunch of postage stamps.

 

 

Only 4 Hours Actual Painting Time per Piece 


     I work REALLY slowly and I need to move with confidence and speed if I'm going to be an artist with the time I have to actually create.  My schedule is only gong to get more demanding as my wife and I start our family in the next few years so I need to learn how to speed it up now.  This also speaks to my meticulousness issue, less time to fuss over details will force me to loosen up and go with the flow.  The 3 days I have per painting will be spent developing the ideas, studying reference and preliminary sketches.  I usually breeze through this stuff so I get to the fun part but if I limit the time that my first squirt of paint goes on the palette till the final stroke on the canvas to only 4 hours I am going to have to spend the setup time wisely or end up with half done and just plain crumby work.

 

 

At Least One Blog Post per Painting


     This should probably go without saying but in order to keep this interesting for you and keep myself accountable, I'll need to keep a pretty good record of what's going on including photos, thoughts, roadblocks, successes, your standard blog fare, at least every three days.

 

 

Amendment Period (AKA: Escape Route from a Bad Idea)


     I am reasonably certain this plan is sound and will force me to do what I know I need to.  I am going to treat these rules as absolutely unbreakable but I need to offer myself a small parachute in case something is really not working.  I would rather make some amendments and salvage a portion of this project than spend the next 79 days so miserable I never even want to look at a paint brush on day 80 or end up with 26 rushed, half done works that look worse than my portrait of Skeletor from age 6.  So here is the deal.  These rules are more indelible than the law of gravity until I get 5 pieces done in this fashion.  On day 15 I reserve the right to tweak the rules for the ultimate success of the Initiative.  That's fair right? ...well who asked you anyway! Ooh, I'm gettin' cranky, must be time for bed.