The real art emergency was ArtPrize venue matching starting without me. I had to throw together some sort of presentation to convince a venue to allow me to hang my work and that kind of hogged up a bunch of my time for a few days. Still waiting to hear back on that. 15 requested venues, 2 have declined, 13 are still thinking, they have, like 3 more weeks to mull it over. the waiting is aggravating!
Anyway, enough excuses. I have been working and I went WAY over on my allotted time but I think that just this once it was worth it. I am prepared to scramble my butt off to catch back up on the TWO paintings I am already supposed to have DONE in order to have this painting that I am so proud of. Toward the end of this one I was really able to pick up some speed too.
I laid in the background with acrylic again since that dries a heck of a lot faster so that I can get to putting in my foreground sooner.
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The thumbnail of this looks a lot like a Bob Marley T-shirt I saw a guy wearing one time with some kind of big leaf on it |
Then I moved on to laying in the tree trunks. The reference I used said these were sequoias, but they look like birches to me. I chose these because they are definitely trees but I could get some good texture into them without having to paint every little chunk of a rough bark like an ash tree might have and then go through the trouble of trying to miniaturize that texture at an even rate as I went up the tree. If you put a lot of effort into being lazy, does it still count as being lazy? The world may never know...
I tried to stay pretty true to the local color from my reference photo but I really wanted to punch up the contrast between the violet trunks and the green leaves.
When I say that I was able to put on a little speed toward the end of this painting, I noticed because the first 3 tree trunks took an hour a piece to paint, but I was only 2 hours finishing the last 4. Moving twice as fast is pretty good. It does kind of go without saying that I got into a groove painting the same things over and over and by #4 I definitely had my color mixtures figured out, so that saved some time too, but I like to think that I was moving with a little more confidence and painting more boldly. I feel like I'm finally getting some of my painting chops back. The best part is, there is no marked improvement between the 1st and last trunk I did. I hate that when the first or last of any repeated object in a painting looks different because I either A: figured out how to really paint it right by the last one, or B: started getting sick of repeating and totally phoned in the last couple. I know that I have a tendency to do this so I try to complete repeating objects in a random order so it's not so easy for the viewer to see a steady progression/regression in quality as they look. I did do these trunks randomly, but I don't think it was necessary since it's not too obvious where I stopped and started...I don't think. Care to venture a guess? C'mon, it'll be fun!
I don't have a whole lot else to say. This is going to have to be a short entry because I have a lot of catching up to do. So, Without Further Ado, here's the final product:
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